POSTCARDS FROM CASCADE
“Really?” Hadn’t the models for all the Pre-Raphaelite paintings been pretty much the same—ethereal, long-haired? Dez’s hair contained the requisite red tones but it was unruly, shoulder-length now. And her features were modern-looking: strong nose and chin, clear eyes. Far from ethereal. In fact, she often felt like the subject of an early Picasso, the plate of which sat in a book on her studio shelf: a downtrodden woman slumped over an ironing board.
The characters are talking about Woman Ironing, by Pablo Picasso (1904), painted near the end of his “Blue Period.” You can see it at the Guggenheim in New York.